|
Welcome to our Spring 2008 Season!
New Acquisitions
NOVEMBER by David Mamet
[Licensing rights are currently restricted, please inquire for details]
"A LAUGH MACHINE! NOVEMBER allows mainstream theatergoers to feel comfortable with Mr. Mamet in a way they haven’t before, and the audience provides a wall-to-wall laugh track."—Ben Brantley,The New York Times
EURYDICE by Sarah Ruhl
"Love and grief, life and death are both endless and tentative, fixed and mutable in the strange world of Eurydice, the devastatingly lovely—and just plain devastating—theatrical gloss on the Orpheus myth by the inventive young playwright Sarah Ruhl."—The New York Times
A FEMININE ENDING by Sarah Treem
"Darkly comic. Feminine Ending has undeniable wit."—New York Post
"Ending′ is a promising beginning...the playwright has a sense of humor that brings to mind a budding Wendy Wasserstein and a liberated sense of form that evokes a junior Paula Vogel."—Los Angeles Times
THE RECEPTIONIST by Adam Bock
Recently world premiered at the Manhattan Theatre Club, "A TWISTY, PLAY THAT RIPPLES WITH CREEPY CURRENTS. Playwright Adam Bock has a gimlet eye for detail and A SLY GIFT..." —Charles Isherwood, The New York Times
THE THUGS by Adam Bock
"...a delightfully paranoid little nightmare that is both more chillingly realistic and pointedly absurd than anything John Grisham ever dreamed up."—The New York Times
MAURITIUS by Theresa Rebeck
THE FARNSWORTH INVENTION by Aaron Sorkin
EVIL DEAD: THE MUSICAL by Book and Lyrics By George Reinblatt
A BRONX TALE by Chazz Palminteri
BETRAYED by George Packer
ADRIFT IN MACAO By Christopher Durang and Peter Melnick
DORIS TO DARLENE by Jordan Harrison
"...a quirky and enjoyable love letter to music and its seductive power to make us lose ourselves...Harrison’s language is by turns so punchy, poetic and observant."—New York Daily News
[CONTINUED, click to view more New Acquisitions]
Please Note: Book prices and royalty rates herein are subject to change without notice.
Effective September 1, 2007, prices (except where otherwise noted) are as follows: full length plays - $7.50, one-act plays -
$5.50 and musicals - $8.50. In addition, standard amateur full length royalty rates will increase to $75.00 per performance and
one-acts to $35.00 per performance. However, some royalty rates will be higher on select titles. Please see individual show
descriptions for exact amateur royalty rates. Standard amateur royalty rates contained herein apply to Amateur productions
where theatre seating is below 400 seats.
| |
| |
 |
|
|
|
|
|
